In this practice-based PhD research, Antye will critically examine the biopolitics of neuroscientific imagery and imaginaries by analysing current developments in neuroscientific 3D biometric (re)rendering and (re)construction practices. Through the notion of 3D visualizations as ‘operative tools’ and trans*feminist approaches as simultaneously affirmative and stirring guidances, Guenther will investigate scientific 3D visualization software for artistic exploration and analysis.
Guenther is a visual artist whose projects orbit around themes such as (non)biological intelligence and supercomputing, computer-brain-analogies and mind control, think tank ideologies and self-optimisation, neuroimagery and fictionality of science, among others.